Khron Studio Biofluid 是一款192kHz/24-bit商业音效库,内含257个原始录音与分层素材,15种类型86个轨道,适用于恐龙、异形生物音效及环境氛围设计,支持自由拉伸降调,为游戏、电影预告片提供无限创作可能。
原始标题:Khron Studio Biofluid WAV-FANTASTiC

Khron Studio 推出的 Biofluid 是一款规格高达 192 kHz / 24-bit 的商业音效库,核心主打液态、有机与粘稠质感的声音设计。 该音效包打破了传统素材库只提供最终成品的限制,首次向声音设计师完整开放了 257 个原始录音(Raw)和分层设计素材(Layers),配合其出色的单声道兼容性,为恐龙、异形等生物音效或环境氛围的后期拉伸与降调二次创作提供了极高的塑形自由度。
该库体积约为 4 GB,划分为了设计成品(Designed Sounds)与源素材(Source Folder)两大核心目录。 内部涵盖液态爆炸、外星纹理、低频轰鸣及泥坑声等 15 种类型和 86 个轨道,每种均附带 6 到 10 种变体甚至可拆卸的拼图式部件,不仅文件命名直观,更允许创作者无限制地将其应用于游戏、电影预告片及独立独立项目中。
FANTASTiC | 02 August 2026 | 4 GB
This library is inspired by liquid, organic, and viscous textures, and for the first time at Khron Studio we are including all the raw recordings, processed material, and design layers used in the creation process, not just the final designed sounds. This gives you a wide range of sources to create highly personalized sound designs.
Biofluid is divided into two main categories:
1. Designed Sounds
– 15 designed sound types, spread across 86 tracks and each with 6–10 variations (sometimes more)
– Many sounds include separated parts, allowing you to recombine elements like a puzzle.
Includes:
– Liquid explosions
– Organic ambiences
– Alien-style textures
– Rumble / low-frequency elements
– Mud Puddle
– Etc…
2. Source Folder (Raw + Processed)
– 257 audio files, most with multiple variations.
Contains:
– Raw recordings
– Processed recordings (Reaper)
– Soundminer design layers
More about the pack
– Intuitive file naming
– Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
Audio Quality
As always at Khron Studio, almost all designed sounds are delivered in 192 kHz / 24-bit.
In some cases, such as extreme pitch-down processing, a lower sample rate (96Khz) was used when appropriate. The same applies to certain source files.
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